Architecture

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The Palazzo Ruccelai was one of the first works by Leon Battista Alberti. He was an Italian architect, architectural theorist, and universal genius. Albert was the most important early Renaissance architect after Filippo Brunelleschi (Gympel, 44). The "Palazzo" originated in Florence. The monumental private building is derived from "palatium." This Latin word comes from the Roman hill which Emperor Augustus and his successors lived. During the 13th and 14th centuries, many of Italian

Introduction I chose to report on the pantheon because I’ve seen pictures and I am also very fascinated by all the Roman monuments. I looked all around the internet and libraries. The Pantheon was very hard to find information about. It was very challenging but I found enough information to complete this report. This famous building stands in the business district of Romemuch as it was built some 18 centuries ago. Amazingly, it has withstood the ravages of both the elements and wa

Elmer Boyce Architecture 110 Professor Boestler 02 November 2000 The Athenian Acropolis The Acropolis of Athens has stood as a monument of triumph to the people of Athens for centuries past. The temples within its walls were used to worship Greek gods like Athena and Poseidon. Rising over three hundred feet above the city of Athens, it can clearly be seen why it is called the Acropolis, which loosely translated means "top of city". It isn't the only acropolis in Greece, but it is

Introduction I chose to report on the pantheon because I’ve seen pictures and I am also very fascinated by all the Roman monuments. I looked all around the internet and libraries. The Pantheon was very hard to find information about. It was very challenging but I found enough information to complete this report. This famous building stands in the business district of Romemuch as it was built some 18 centuries ago. Amazingly, it has withstood the ravages of both the element

THE BASILICA AND BASILICAN CHURCHES A great deal of conjecture has been expended on the question as to the genesis of the Roman basilica. For present purposes it may be sufficient to observe that the addition of aisles to the nave was so manifest a convenience that it might not improbably have been thought of, even had models not been at hand in the civic buildings of the Empire. The most suitable example that can be chosen as typical of the Roman basilica of the age of Constan

Between The Silence and The Light Introduction Architecture is a meeting place between the measurable and the unmeasurable. The art of design is not only rooted in the aesthetic form, but in the soul of the work. In Phenomena and Idea, Stephen Holl once wrote, " The thinking-making couple of architecture occurs in silence. Afterward, these "thoughts" are communicated in the silence of phenomenal experiences. We hear the "music" of architecture as we move through spaces while arcs of s

Introduction: Bruce Goff¡¦s working career spanned sixty-six years, from 1916, when he began working in an architect¡¦s office, until his death in 1982. During that time he received more than 450 commissions for buildings and related designs, resulting in more than 500 proposals of which at least 147 were realized. Bruce Goff occupied a unique place in American architecture. His buildings looked like those of no other architect. His idiosyncratic designs juxtaposed shapes in unex

NOTE: Received an "A" with some corrections. If your professor is one who checks bibliography's be careful with mine. Art History 5 December 2000 Frank Lloyd Wright American architect, Frank Lloyd Wright is considered the pioneer in modern style and one of the greatest figures in twentieth-century architecture (Twombly, 16). According to Frank Lloyd Wright: “…having a good start, not only do I fully intend to be the greatest architect who has yet lived, but fully intend to b

It can be observed that for Jencks it is important for a building to relate to historical references to qualify as postmodernist work. The deeper assimilated response makes a building to be better identified as Postmodern. In the opposite case, when the historical references are not properly assimilated into buildings, it might just degenerate into kitsch or prove to be an example of simple Historicism and not Postmodernism. Further, Jencks also emphasizes the importance of a building to relate